杀手们!%*2024

Ernest `Hemingwa y’s:[ influent[(ial= ^ short s?%]]tory The  Killers)+ (19-*?%27), .has 
\=been ada+=pted to =film !.b]y Robert ?)Sio.]dmak and Andr`\ei Tark o=+vsk($y, $while Edwa rd Hopper’s pai*:*n!!`ting Nighthawks (19\-42) is` also sai@ d to h-..ave been inspir
 ed b-?]y the  stor% y. The@ Kille`rs, an omnibus ?film comprised o
(\ f four-shorts, takes ==
motifs (fro
*m t`hese two classics and bo^\*r!!row-[s s]ome: ,$.=of their.^) imagery as mise-en-scène*!. The 4 directors unfold the noir world of de\-ath#% and wait;)*ing ] with different *$sense(-s and, )( sen;:sibili_`ties. Kim Jong-kw(an’s Metamorphos#is%!, wh-ic.@h depicts the awa%keni^]ng and ma;?)nifes%+ta/tion of power :
follow$#ing bloodsuckin:^-:g; Roh Deo*k’s Co(#ntractors,_ a pyramid of\=. -contract killings and?) subcon,%tracted lab/:or^?; C/)han[g Hang-jun’s Everyone is Wai,_ting for `+/*t.h:(e Man, -:whi!!@ch ^#tra@`[cks d*own a ghostly f[+:igure called a:-[
mys^/te
)rio
us,# kille-r; and Lee$ Myung-Se’s Sile$nt Cinema,, an a? +ll!e=gor\y of his longtime_)$ dream of^? c;-@inema an+ d the world. Notably, Actor Shim Eun-kyun`(g appears in all fo(ur
@` film
:s,
- ea ; ch (tim; e in=)
*@ a c*^?om] plete+ly different ro
].?le ;, adding to t:he del+)i_(gh.!t. I^t’s@ %an -# %#unconventi,on^)?a l collecti(($on ]^\of emotion@#a,l,_  psychologic]a]l, a ?\nd action-orie(@nted f!,ilms.